Star Wars Black Series Canto Bight

Canto Bight is The Last Jedi’s most divisive sequence and one of its most purposeful. The casino city on Cantonica — where the galaxy’s wealthy gather, where arms dealers profit from both sides of the war, where fathiers run races for entertainment — is the film’s explicit argument about who the Resistance is actually fighting for and against. It’s also, in collecting terms, one of the thinnest scene displays in the Black Series, which says something about how Hasbro weighted the sequel trilogy’s more contested material.

The Scene in Star Wars

Finn and Rose Tico are sent to Canto Bight to find a master codebreaker who can help the Resistance slip past the First Order’s hyperspace tracker. The mission fails in its original objective — they find DJ instead, a morally flexible slicer who will do the job for money rather than conviction — but the sequence exists primarily to make a point about the war economy.

Canto Bight is where the people who profit from the conflict between the Resistance and the First Order spend their money. The weapons dealers who sell to both sides. The old money that doesn’t care who wins as long as the order that protects their wealth survives. Finn, who defected from the First Order, and Rose, whose sister died for the Resistance, walk through a room full of people whose comfort depends on the war continuing. That’s the argument Canto Bight is making.

DJ — whose name is an abbreviation of “don’t join” — embodies the sequence’s cynicism. He’s a skilled operator who believes in nothing except his own survival, and he makes the case for that position with genuine conviction. The Resistance and the First Order are the same from his angle: both are institutions that use people and discard them, and the only rational response is to stay unattached. He’s wrong in the way the film intends him to be wrong, but he’s not stupid about it.

The Canto Bight sequence was widely criticised on The Last Jedi’s release as a narrative detour that slows the film without sufficient payoff. That criticism has softened somewhat as the film has been re-evaluated — the sequence’s thematic purpose is clearer in retrospect, and DJ’s betrayal of Finn and Rose lands harder if you’ve engaged with what he represents. But it remains the most contested section of the most contested film in the sequel trilogy.

Rose Tico and DJ as a Display

Rose Tico belongs to this scene and to Crait equally — she’s present at both the Canto Bight mission and the final battle, and her Galaxy Collection figure is tagged to both. For collectors building the complete Last Jedi display, she’s one of the figures that bridges the film’s two major sequences.

DJ is specific to Canto Bight. He doesn’t appear at Crait. His Galaxy Collection release from 2023 is the only Black Series version and represents the scene’s codebreaker half — the morally compromised operator who the mission produces instead of the idealistic hero it was looking for. As a figure he’s well-produced, capturing Benicio del Toro’s specific energy in the role, and he’s the kind of character the Black Series doesn’t produce often — an antagonist who isn’t a villain, a participant whose allegiance is genuinely transactional.

The thinness of this display — just these two figures covering a sequence that runs a significant portion of The Last Jedi’s runtime — reflects Hasbro’s production choices around the more contested elements of the sequel trilogy. Canto Bight has no alien patrons, no fathier, no master codebreaker Finn and Rose were originally looking for. What the scene has produced in plastic is exactly its two most narratively significant human characters, and nothing else.

All Figures for This Display

Check off the figures you own with the Black Series Checklist.

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Part of Star Wars The Black Series | Scenes. Related: Battle of Crait | Throne Room of Snoke | Collector Guide.