Star Wars Black Series Invasion of Naboo
The Trade Federation occupation of Naboo — palace battles, Gungan warriors, and the events of The Phantom Menace that set the prequel trilogy in motion. The Black Series figures for this scene, with full context on the occupation, its principal characters, and the display's place in the wider prequel collection.
The Invasion of Naboo is where The Phantom Menace begins its conflict — the Trade Federation’s blockade and occupation of the peaceful planet that sets the entire prequel trilogy in motion. It’s a political crisis that becomes a battle, a Jedi mission that produces the discovery of the Chosen One, and the first appearance of a Sith in a thousand years. The Black Series figures for this scene cover the principal cast of that story: the queen who fights for her planet, the boy who will become Vader, the creature who stumbles into history, and the Sith who gives them all something to run from.
The Scene in Star Wars
The Trade Federation, manipulated by Darth Sidious, blockades and then occupies Naboo — a planet of artists, philosophers, and a peaceful symbiont relationship between the human Naboo and the underwater Gungan people. The occupation is the cover story for a larger plan. Sidious needs a manufactured crisis to trigger the chain of political events that will eventually give him emergency powers, and Naboo is selected because its senator — Palpatine — is positioned to benefit from the outrage it generates.
Qui-Gon Jinn and Obi-Wan Kenobi are sent to negotiate; they escape with Queen Amidala and make a forced landing on Tatooine for repairs, where they encounter Anakin Skywalker. The Tatooine detour is the film’s structural centre — the place where the Chosen One is found, where the prophecy enters the story, and where the tragedy of the prequel trilogy quietly begins. Everything before it is setup. Everything after it is consequence.
The final battle resolves the invasion across three simultaneous locations: Anakin accidentally destroying the Droid Control Ship from inside, the Gungans fighting the droid army on the plains of Naboo, and Padmé’s forces retaking the palace while Qui-Gon and Obi-Wan face Darth Maul in the generator complex. The Phantom Menace is most criticised for its middle section, but its climax is one of the more genuinely ambitious multi-strand action sequences in the franchise — three plots resolving in parallel, each affecting the others, scored by one of John Williams’ most dramatic compositions.
The political underpinning of the Naboo crisis is also where the prequel trilogy’s central argument about the fall of democracy begins. The invasion is manufactured. Sidious needs the crisis to trigger events. Naboo is the opening move of a plan that takes decades to complete, and everything that follows — the Clone Wars, the Empire, Anakin’s fall — has its roots in a trade dispute that was never really about trade.
Padmé Amidala
Padmé is the scene’s central figure and one of the more underrated protagonists in the prequel trilogy. She’s fourteen years old, elected queen of a planet, and her response to an illegal military occupation is to refuse to sign a treaty legitimising it, escape her own planet, appeal to the Senate in person, return home when the Senate fails her, and lead the liberation herself. The diplomatic and military intelligence she demonstrates across The Phantom Menace is the foundation of everything she does in the subsequent films.
Her Galaxy Collection TPM release captures the specific costume and bearing of the palace sequences — the elaborate ceremonial dress of a queen who is simultaneously a warrior. The figure sits naturally in this display and in the Duel of the Fates scene equally, since Padmé is present through the film’s entire final act.
Anakin Skywalker
The TPM Anakin is the display’s most weighted figure in retrospect. The nine-year-old slave from Tatooine — strong enough in the Force that Qui-Gon believes he was conceived by it — is the fulcrum around which the entire prequel trilogy turns. His Galaxy Collection TPM release captures that specific beginning: not the hero, not the villain, but the child before either choice was made.
Standing this figure alongside the Darth Vader releases in any other display tells the complete arc. That’s the kind of visual storytelling a well-organised Black Series collection can achieve that no other medium replicates as simply.
Jar Jar Binks
Jar Jar is the film’s most debated creation — the Gungan exile whose comic relief role divided audiences in 1999 and whose reputation has never entirely recovered. As a display figure, however, the Jar Jar Binks Deluxe release is one of the more physically detailed alien figures in the Galaxy Collection TPM line. The articulation, the ear-stalks, the lanky proportions — the figure is technically accomplished regardless of the character’s cultural history.
His narrative function in The Phantom Menace is more significant than his reputation suggests. Without Jar Jar, Qui-Gon and Obi-Wan don’t reach the Gungan city. Without the Gungan alliance, Padmé has no ground army for the final battle. He’s an accidental participant in events that shape the galaxy — which is, arguably, a more interesting character position than the deliberate hero.
Darth Maul and the Droideka
Darth Maul belongs here and in the Duel of the Fates display — his presence on Naboo is both the occupation’s enforcement arm and the generator complex fight that ends the film. The Galaxy Collection TPM Maul is the definitive version and the one the display should be built around.
The Droideka is the occupation’s most visually distinctive military unit — the rolling shield-projecting destroyer droid that even Jedi Masters treat as a reason to retreat rather than engage. Its design is one of the Prequel Trilogy’s most original contributions to the Star Wars visual vocabulary, and as a display piece it adds both size variety and immediate visual recognition to the Naboo display.
Invasion of Naboo and Duel of the Fates
Several figures in this display overlap with the Duel of the Fates scene — Darth Maul, Anakin, Padmé, and the Droideka are tagged to both. That overlap is accurate: the same film contains both the invasion and the duel, and the same figures populate both contexts. For display purposes, the Invasion of Naboo is the broader Naboo political and military story. The Duel of the Fates is the generator complex specifically. Together they cover The Phantom Menace as a complete display.
All Figures for This Display
Check off the figures you own with the Black Series Checklist.
Part of Star Wars The Black Series | Scenes. Related: Duel of the Fates | Geonosis Arena | Tatooine Desert | Collector Guide.