Star Wars Black Series Peridea Ruins

Peridea is the destination that the first half of Ahsoka is reaching toward — the planet in the galaxy beyond the galaxy where Thrawn has been waiting and Ezra Bridger has been surviving. It’s an ancient world, home to the Nightsisters before their time ended, covered in ruins that predate any recognisable Star Wars civilisation and inhabited by the Noti, a small nomadic species who sheltered Ezra during his years of exile. The Black Series figures for this scene cover every character present in Peridea’s sequences, from Thrawn’s Night Troopers to Baylan Skoll’s increasingly private pursuit of whatever the ruins are pointing toward.

The Scene in Star Wars

Peridea is accessible only through a hyperspace route that the Eye of Sion — the ring-shaped vessel Morgan Elsbeth commissioned — was built to navigate. The route existed in Nightsister lore; the purrgil, the space whales that travel between galaxies, know the way. Rebels established that Ezra and Thrawn were taken to this galaxy when Ezra called the purrgil to Lothal. Ahsoka is the story of what happened to both of them there, and of Ahsoka and Sabine following them.

What they find on Peridea splits the series’ second half between two very different stories. Thrawn has been building his strength — his Night Troopers, his preparation for return, his patience. He’s been marooned for years and he’s spent every day of it getting ready to come back. Ezra has been surviving, building a relationship with the Noti, becoming something quieter and more settled than the Jedi Padawan who disappeared over Lothal.

Baylan Skoll arrives with his own agenda. The ruins of Peridea mean something to him that has nothing to do with Thrawn or the Rebellion — the planet’s connection to the Mortis gods, to the deeper Force mythology that The Clone Wars explored, is what draws him toward the giant statues at the world’s edge. His arc on Peridea is deliberately incomplete, a setup for continuation that Ray Stevenson’s death has made complicated. The figure exists as a record of a story that was still being told.

Thrawn on Peridea

Thrawn’s Peridea configuration is distinct from his earlier Black Series appearances — the Rebels releases and the Walgreens Archive — because his time on Peridea has changed him visually. The scarring, the specific look of a commander who has been operating without Imperial supply lines for years while maintaining his force’s capability and his own bearing, is the Ahsoka Thrawn’s most specific characteristic.

The Night Troopers who serve him on Peridea are among Ahsoka’s most visually inventive designs — stormtroopers whose armour carries the weathering and Nightsister-influenced markings of years on a world saturated with dark side energy. The Night Trooper figure is the display’s best army-building target: visually distinctive from standard stormtroopers, immediately communicating the specific Peridea context, and carrying the kind of detail that rewards close examination.

Ahsoka on Peridea

The Ahsoka Tano (Peridea) configuration is Ahsoka in the white robes of her Peridea sequences — a different aesthetic to her standard white armour, reflecting both the environment and a specific moment in her arc. The World Between Worlds sequences, where Anakin teaches her in a space outside time, are technically part of the Peridea arc, and the figure connects both the Peridea battle sequences and that more internal confrontation.

Her presence on Peridea is about finishing what Rebels left unresolved — finding Ezra, finding Thrawn, understanding what Sabine’s choice to follow the map actually cost. The display’s Ahsoka figure and its Ezra Bridger (Peridea) figure together tell the completion of a fifteen-year story.

Ezra Bridger (Peridea)

The Peridea Ezra is the character after years of survival on an alien world — older, changed, armed with whatever he could make or find rather than the standard Jedi equipment. He has a lightsaber again by the time Sabine finds him, but the person who wields it has grown significantly from the Lothal street kid who became Kanan Jarrus’s Padawan.

His figure sits in deliberate contrast to the Rebels sub-line Ezra and the Lothal configuration from the Ahsoka series’ first half. Three configurations of the same character across different production years tell his complete arc in plastic: the young Padawan, the determined Jedi who disappeared, the survivor who came back.

Baylan Skoll and Shin Hati

Both characters appear in two configurations — their initial appearances and their later-series variants — reflecting arcs that diverge significantly in Peridea’s second half. Baylan moves away from Elsbeth’s objectives entirely, pursuing the Mortis connection with an intensity that suggests his Clone Wars trauma has pointed him toward something cosmological rather than political.

Shin Hati’s trajectory is more unresolved — she ends the series at the head of a group of raiders, her connection to Baylan severed, her future ambiguous. The Arcana Target exclusive captures a specific late-series configuration; her standard release covers her primary appearance.

Morgan Elsbeth is the Peridea display’s political anchor — the Nightsister who has been working toward this moment her entire adult life, who summons the Great Mothers and becomes something beyond what she was. Her transformation on Peridea is the series’ most overtly supernatural sequence.

Marrok’s presence on Peridea connects the series’ earlier antagonist sequences to the destination — his figure is tagged here as well as the broader Ahsoka display.

All Figures for This Display

Check off the figures you own with the Black Series Checklist.

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Part of Star Wars The Black Series | Scenes. Related: Duel With Ahsoka | Clone Wars Battles | Ahsoka Collection | Collector Guide.